The Rhetorical Analysis Of Otto Plaths Father - 1224 Words

The speaker continues to address her father directly, commenting â€Å"You stand at the blackboard, daddy,† while looking at a picture she owns of him. This also connects back to the actual Otto Plath, who was a professor at Boston University. In the picture, the father has â€Å"A cleft in your chin instead of your foot† which references how the devil has cleft feet. She sees that he is â€Å"But no less a devil for that, no not† and that she sees him as the devil. Plath uses enjambment when she ends the line with â€Å"no not/Any less the black man who///Bit my pretty red heart in two.† he description of her heart being â€Å"bit in two† brings up an image of a heart being broken or split in half, just as the enjambment splits up the idea between the lines and†¦show more content†¦The â€Å"Meinkampf† look refers to Hitler’s autobiography â€Å"Mein Kampf† and just like she saw Hitler and the Nazis in her father, this new man has the same look, and serves as a living substitute for her to hate. Not only is this man like a Nazi, he also has â€Å"a love of the rack and the screw.† The rack is a torture device designed to pull the limbs of the victim, and the â€Å"screw† refers to a thumbscrew. Like her father, this man is a â€Å"brute† who is violent and powerful, and like the women she previously criticized, she falls in love with him, a fascist because â€Å"Every woman adores a Fascist.† She continues, â€Å"And I said I do, I do.† marrying him and saying the wedding vows. She then addresses her father, saying â€Å"So daddy, I’m finally through./The black telephone’s off at the root,/The voices just can’t worm through.† Although she marries a man based off her father, she believes that she has finally escaped him. The color black, which she has used to describe her father, and her husband, and now the phone, evokes images of dea th. She describes the telephone to communicate with her father as being â€Å"off at the root,† which references how she previously could never find his foot or root, but is now content with ending her search. The use of â€Å"worms† also relates back to the idea of death, and how there are most likely worms around his grave, but these worms will not affect herShow MoreRelatedMutilating Self Into Spirit: Sylvia Plaths Poems.4131 Words   |  17 PagesSylvia Plath’s poems: Translation of the self into spirit, after an ordeal of mutilation. Introduction of the poems and the essay: * â€Å"Daddy† Sylvia Plath uses her poem, â€Å"Daddy†, to express intense emotions towards her father’s life and death and her disastrous relationship with her husband. The speaker in this poem is Sylvia Plath who has lost her father at age ten, at a time when she still adored him unconditionally. Then she gradually realizes the oppressing dominance of her father, and comparesRead MorePoem Analysis of Lady Lazarus by Sylvia Plath3011 Words   |  13 PagesPoem Analysis: Lady Lazarus In American culture, suicide is considered to be one of the darkest taboos. It has the particular quality of being equally gripping and repulsive. Although suicide is seen as overtly morbid, gruesome and disturbing, it has made many people famous. Sylvia Plath, the illustrious 20th century poetess, is one of them. Sylvia Plath was born on October 27th, 1932 of two parents in a middleclass household in Boston. At a very young age, she demonstrated great literary talent

Criticism And Analysis Of Puddn Head Wilson - 800 Words

Criticism and Analysis of Puddn’head Wilson In American history, we have good authors, great authors and some bad. One of the most famous authors and probably the greatest that everyone has heard of is Mark Twain. Twain was an American author and humorist in American Literature. Twain was born in Florida, Missouri, on November 30, 1835. In his first writing, he adopted his pen-name from a well-known call of the man sounding the river in shallow places. In 1861 he went to Carson City, Nevada, as secretary to his brother. For two years he edited papers and moved from place to place. In 1867 he visited France, Italy and Palestine. Twains two greatest masterpieces, Tom Sawyer and Huckleberry Finn were drawn from his childhood experiences and the life on the Mississippi frontier. Mark Twain has a legacy as an American author because of his books like Huckleberry Fin and Pudd’nhead Wilson. He put his self in the American popular culture of literature. Twains novels and stories are popular in the media. His work has been remade into comic strips, children’s films, and cartoons. His image and his words have also figured in commercial advertising campaigns. He is one of the greatest. Geneva Cobb Moore is a former Scholar of American and African American Literature at the University of Ghana and Professor of English and Women s Studies at the University of Wisconsin-Whitewater. Caucasia’s migrating bodies: lessons in American history and postmodernism is an article written by

Introduction to Epidemiology-Free-Samples-Myassignmenthelp.com

Questions: 1.Calculate the sensitivity and specificity of pooled ear notch PCR, using the AC-ELISA results as your gold standard. 2.Initially your gold standard for pooled ear notch PCR was AC-ELISA tests on individual animals, and herds were classified as infected if at least one cow tested positive on AGID. If you changed your gold-standard definition, classifying a herd as infected if at least two cows tested positive on AC-ELISA, how might that affect your evaluation of the ear-notch PCR 3.Assume that about 15% of the 500 herds in your region are infected with BVD a.What would the predictive value of a pooled ear-notch PCR test be for the region? b.What is the probability that a herd testing negative in your region is actually uninfected? Answers: 1.Sensitivity defines the ability of classify correctly of a test on a disease of an individual. Mathematically expressed as Sensitivity= a/a+c where a is true positive, and a+c is true positive + true negative. The result gives the probability of an individual or animal being tested positive in case of the presence of a disease. Using the provided statistics; the sensitivity = 68/68+11 =0.883 which is equivalent to 88.3%. This means the probability of the BVD disease of the herds of 97 cattle was 88.3% attack level. Specificity tests if an individual or an animal is free from a disease. It helps in the identification and correct testing to ascertain that an individual is not suffering from a disease Specificity is mathematically expressed as d/b+d where d=true negative, b+d= true negative+ false positive. From specificity calculations, the probability of being tested negative for a disease in an individual or animal is determined. From the given data, the specificity is calculated as; 20/20+11=0.645 which is equivalent to 64.5%. This means 64.5% of the beef cattle tested disease free of BVD on AC-ELISA test. 2.A hypothetically ideal gold standard definition test would always give a return of 100% on the sensitivity with regard to the prevailing disease that is under test(Howlett, 2013). This it does by identifying all the animals using a proper defined disease processes and does not give any false-negative results. Such a gold standard test also offers 100% of specificity. Such specificity does not identify an individual to be suffering from a condition that he does not suffer from in the real sense. In other words such specificity does not offer any false-positive results. This is not the normally observable gold standard tests available in practice but instead imperfect standards. By changing the gold standard test from classifying a herd as infected if one cow is infected to two cows to be classified as infected, the accuracy of the gold standard test on the evaluation of the ear-notch PCR would be compromised(Howlett, 2013). By increasing the number of animals that would determine positive classification for infection, the test would not be analyzing individual animals. This would translate to wholesome interpretation and conclusion thereby lowering the accuracy of the gold standard test. An ideal gold standard test returns 100% on both specificity and sensitivity. These returns are only achievable if the tests are done on each and every animal from the herd in which the evaluation was being conducted. An increase in the number of animals that is used in the classification of a positive result of either of the test does not allow for proper identification and study of an animal in the possible aspects and disease processes(Jekel, 2015). The chances of falsely identifying an animal with a disease or condition it does not have is increased if the number of animals is increased that is as the number of animals are increased, the level of accuracy of the gold standard test decreases. 3.The predictive values are either positive or negative. Positive predictive values indicate the number of animals from the herd that actually have the BVD disease while negative predictive values determines the number of animals from the region that have tested negative and do not have the disease in their bodies. Positive predictive value, PPV=a/a+b where a is true positive a+b is true positive+ false positive using the provided statistics once again for the calculations; the true positive is 15% of 500 animals=75 animals 75/75+425=0.15 which is an equivalent of 15%. This means a probability of 0.15 of a positive test if any one of the 500 animals in the region would be tested for BVD disease. b.The probability of a herd from the 500 animals testing negative is actually uninfected is determined by calculating the negative predictive value of the population which is estimated from the expression; NPV= d/c+d where d is true negative, c+d is false negative + true negative =425/75+425 =0.85 which in an equivalent of 85% of the animals. It means 85% of the 500 animals would test negative and would actually be uninfected in case a test is done. References Howlett, B. (2013). Evidence Based Practice for Health Professionals. New York: Jones Bartlett Publishers. Jekel, J. F. (2015). Epidemiology, Biostatistics, and Preventive Medicine. New York: Elsevier Health Sciences.

Realism And Theatre Essays - Films, Drama, 19th-century Theatre

Realism And Theatre Realism is the movement toward representing reality as it is, in art. Realistic drama is an attempt to portray life on stage, a movement away from the conventional melodramas and sentimental comedies of the 1700s. It is expressed in theatre through the use of symbolism, character development, stage setting and storyline and is exemplified in plays such as Henrik Ibsen's A Doll's House and Anton Chekhov's The Three Sisters. The arrival of realism was indeed good for theatre as it promoted greater audience involvement and raised awareness of contemporary social and moral issues. It also provided and continues to provide a medium through which playwrights can express their views about societal values, attitudes and morals. A Doll's House is the tragedy of a Norwegian housewife who is compelled to challenge law, society and her husband's value system. It can be clearly recognized as a realistic problem drama, for it is a case where the individual is in opposition to a hostile society. Ibsen's sympathy with the feminine cause has been praised and criticized; as he requires the audience to judge the words and actions of the characters in order to reassess the values of society. The characters in A Doll's House are quite complex and contradictory, no longer stereotypes. In Act II, Nora expresses her repulsion about a fancy dress worn to please Torvald (her husband): "I wish I'd torn it to pieces"; she attempts to restore it and resign herself to her situation right after: "I'll ask Mrs Linde to help". In Act III, Torvald ignores his wife's plea for forgiveness in order to make a moral judgement: "You've killed my happiness.You've destroyed my future". "I can never trust you again." Later on in the same act, he contradicts himself: "I'll change. I can change-"; much after Nora confronts him: "Sit here, Torvald. We have to come to terms". "...There's a lot to say". Here, Ibsen shows us he has worked in depth with the psychology of the characters, giving them a sense of complexity and realism. Playgoers therefore recognize the revelation of characters through memory. Thus drama became an experience closely impinging on the conscience of the audience. Ibsen was also unique for his use of symbolism to assist realism on stage. Symbolic significance is presented through the detail of design, props and actions of the characters. For example, in Act III, Nora goes offstage to get changed; "I'm changing. No more fancy dress". It is a symbolic representation of her personal change, one where she has come to the realization that she has been living the life of a doll, confined to the roles of a "featherbrain", "plaything", "dove", "skylark" and "songbird". Thus, symbolism enhanced realism, and its effect can be seen as positive in the sense that it stirred conscious awareness of values. The stage settings of A Doll's House are an integral part of the theatrical design, and not mere d?cor to be overlooked. The setting in Act II; "...the Christmas tree stands stripped of its decorations and with its candles burnt to stumps" is symbolic of the lack of happiness in Nora's life at that moment. Also the change of setting in Act III; "The tables and chairs have been moved centre" foreshadows a character change that will take place in Nora. The many references to doors also have significance beyond the stage directions. The play begins with the opening of the door and finishes with the "slamming" of the door. Nora enters the doll's house with the values of society and departs from it, symbolizing her rejection of them. All these intricacies of play settings and characters depict realism on stage. Ultimately, it has been good for theatre because it presents the playwright's ideas in interesting and original ways. Realism, as expressed through symbolism, also draws the attention of the audience, thus stimulating moral thought, and stirring reaction. Realism is also defined as art-imitating life (source). This is a fitting account of Anton Chekhov's plays, for they tend to show the stagnant, helpless quality of Russian society in the late C19th. Quite evident in The Three Sisters, when Tuzenbakh illustrates realism; "The suffering we see around us these days - and there's plenty of it - is at least a sign that society has reached a certain moral level." Hence, while the portrayal of life here seemed 'gloomy and pessimestic', it was still good for theatre in that it presented issues which audiences could identify with. It was also more intellectual theatre when the playwright could express their views, compared with the conventional